Amoskeag

The Journal of Southern New Hampshire University

Poetry selection from the 2009 issue

Selections from "Collapse: A Fugue"

by Jane Satterfield


Fugue, Fugazi… iTunes party-shuffle

means an easy slide

through centuries, Troubador

Ballads, Folk ‘n’ Hell, Sandy Denny’s

“John the Gun”… a day’s

 

music played & cycled

back into rotation. Fugue—voiced,

contrapuntal, when one part beginneth

and the other singeth

that which the fi rst

 

did sing. Fugue (It.), a running

away from: flight!— Or

similar clouds spreading

their vacuous sheets… To survive

the while or disappear. How like

 

a legend, the lost soul

last spotted in an airport

parking lot locating a self—much missed—

via the Internet…

Formal, polyphonic, the mind &

 

its many trails. Possible, then,

to track them all? The possibilities’

exquisite range? Mind

as mash-up. No—as landscape. Or history

as mash-up, ground we walk &

everywhere—graves.

 

To build, prosper,

disappear. To sift

for stories, clues. All proportions

high & low. Pursued transverse. Volant

touch. Instinct & resonant fugue—

Eastern Settlement, Greenland

For centuries emigrants survived

in that climate, it was green after all,

a pleasant land. Even Erik,

outlaw and vagabond understood

how to brand: the name

 

diminishing the dangers, the glaciered

fjords, winter’s arctic

circle of ice, a name chosen

to better lure colonists there.

Of twenty-some Viking knorrs,

 

high-prowed, full-sailed, fourteen

arrived, some lost, some turning

back (there were no navigational

tools, there were patches

of ice-filled seas). On inland

 

fjords, settlers would have seen

sedges, grasses, dwarf-woodland,

willow & birch, a land not

unlike home… For centuries

some fair pasturage, houses,

 

stables, & cowsheds huddled

in the coastal hills, a flourishing

at Europe’s farthest frontier,

stone churches with transept

& nave, prized fur, ivory & falcons

 

famed as far as Sicily. Every item

with which they might help the country,

they must buy from other countries,

both iron & all the timber

with which they build houses.

 

For centuries the great hall’s history

of saga and song… (May the lord

of the peaks’ pane shade my path

with his hawk’s perch). Centuries

of settlement (firm stanzas

like hives in hell) then things,

as we say, going south

cold summers, failed crops & famine,

shipping lanes jammed with ice…

Meanwhile the bishops

 

bedecked in ecclesiastical gold

continued a killing system of tithes—

To build, prosper, disappear.

To dig deeper, sift for clues—

Centuries of settlement &

 

then… nobody, neither

Christians nor heathens,

only some wild cattle & sheep,

all running wild. Beneath permafrost,

layers of peat & windblown

 

glacier sand, in ice cores,

graves and garbage dumps,

in pollen samples, sediment cores,

in ice rings and human teeth,

an easy slide through centuries:

 

“Chronomentrophobia,” “You Can’t

Always Get What you Want”—in

fossilized remains of carrion

flies, in comb styles

& hooded capes—you get

 

what you need? To survive

the while & disappear.

Measures & evidence: man &

Nature—instinct &

resonant fugue.